curriculum vitae, and references related to my current areas of interest, which include, in no particular order, the philosophy of art, performance, dance, music, theater, literature and film, and the philosophy of law, language, mind, ethics and culture where these areas intersect with the philosophy of art. I am particularly interested in how choice of philosophic and other methodologies affect our understanding of the arts in connection with law, society and culture.
My dissertation for the PhD in philosophy from Temple University in Pennsylvania was entitled, Dance as Art: A Studio-Based Account, which was a philosophy of dance that focused in particular on what dance choreographers and performers contribute to dance as art as it is experienced and appreciated in live performance. My dissertation committee was comprised of my Advisor, Joseph Margolis (Philosophy), Philip Alperson (Philosophy), Miriam Solomon (Philosophy), Karen E. Bond (Dance), and Elisabeth Camp (Philosophy, University of Pennsylvania).
In my current position I am an Assistant Professor in the Philosophy Department of the University of Dayton in Ohio, where so far I have taught Philosophy of Art, Philosophy and Film, Philosophy and Literature, Philosophy of Law, Philosophy of Music, Philosophy of Human Rights, Introduction to Philosophy and Philosophy and Theatre/Dance: Performing Human Identity, a course I developed with the Theatre/Dance program that includes both theoretical and practical components. In addition to teaching I am on the Prelaw Committee and have assisted with the Rites.Rights.Writes program at UD that integrates the arts with humanities lectures, symposia, performances, and other events. I am also a member of the Philosophy Department's Advisory Committee for 2016-2017.
My service to the profession of philosophy includes being the moderator of DancePhilosophers, an informal, networking Google group that includes philosophers, dance studies scholars, dance historians, critics, performers, choreographers, students, and others who are interested in dance philosophy broadly construed. I am also on the Advisory Board for the American Society for Aesthetics Graduate E-journal. I was an organizer for the American Society for Aesthetics Eastern Division meeting for the years 2015-2016. Finally, I have served as a peer-reviewer for articles in the British Journal of Aesthetics, the Journal of Aesthetics and Art Criticism, the Dance Research Journal, The Journal of Dance Therapy, The Journal of Social Philosophy, and the Journal of Music and Meaning.